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J.S. Bach

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.

Samuel Ricke

3:32	Est. Play Time
53	Measures
	1,124Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
Violoncello.	28	0	9	3	100%
Violone.	28	0	9	3	100%
Cornetto.	13	0	4	8	89%
Soprano.	13	0	4	6	89%
Alto.	14	0	5	7	83%
Trombone I.	14	0	5	6	83%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
Oboe I.	19	0	4	9	72%
Viola.	18	0	4	7	49%
Violino I.	21	0	3	9	49%
Violino II.	19	0	4	8	49%
Violoncello.	19	0	3	5	49%
Violone.	19	0	3	5	49%
Corno I.	10	0	1	8	48%
Corno II.	8	0	0	8	46%
Fagotto.	21	0	5	5	45%
Oboe II.	12	0	2	7	45%
Oboe III.	9	0	1	7	21%
Violino piccolo.	13	0	2	9	21%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	0	5	9	100%
Mellophone 2	18	0	4	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	5	9	100%
Mellophone 2	18	4	6	100%
Mellophone 3	11	2	6	100%
Trombone	25	8	3	100%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus III.

Samuel Ricke

2:03	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	23	7	6	99%
	17	0	4	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	23	7	6	99%
	17	0	4	4	100%
Continuo.	17	0	4	4	100%
Violino I.II.	20	5	6	4	100%
Violone.	17	0	4	4	100%
Tenore.	13	0	4	6	62%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	2	5	100%
	13	0	2	5	100%
	19	1	4	6	100%
	19	1	4	6	100%
Soprano/Alto	13	0	2	5	100%
Tenor/Bass	19	1	4	6	100%
Contrabass	15	0	2	3	50%

Mache dich, mein Herze, rein. BWV 244, no. 65. Matthäus-Passion, St. Matthew passion. Bass aria. J.S. Bach.

SDG

6:30	Est. Play Time
81	Measures
	4,759Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	0	6	3	100%
Contrabass	21	0	6	3	100%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	6	3	100%
Contrabass	21	6	3	100%
Oboe	22	7	6	98%
	17	4	6	95%
Strings I	22	7	6	98%
Violin I, Oboe I	22	7	6	98%
Viola	20	6	4	95%
Violin II, Oboe II	17	4	6	95%
Bass	17	5	9	68%

4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'

SDG

0:31	Est. Play Time
11	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	0	4	6	100%
	24	0	7	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	4	6	100%
	24	7	6	100%
Soprano/Alto	13	4	6	100%
Tenor/Bass	24	7	6	100%
Contrabass	17	6	4	50%

J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu

Samuel Ricke

1:00	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	15	0	3	6	100%
	16	0	4	6	100%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	15	3	6	100%
	16	4	6	100%
Alto.	10	1	5	100%
Basso.	15	4	4	100%
Fagotti.	15	4	4	100%
Flauti traversi.	11	2	4	100%
Oboi.	11	2	4	100%
Organo e Continuo.	15	4	4	100%
Soprano.	11	2	4	100%
Tenore.	10	2	5	100%
Viola	10	2	6	100%
Violino I.	11	2	4	100%
Violino II.	10	1	5	100%
Violone.	15	4	4	100%

46. Christus der ist mein Leben, Melchior Vulpius, J.S. Bach, BWV 281.

SDG

0:26	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	0	0	6	100%
	10	0	0	6	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	0	6	100%
	10	0	6	100%
	18	3	6	100%
	18	3	6	100%
Soprano/Alto	10	0	6	100%
Tenor/Bass	18	3	6	100%
Contrabass	12	2	4	50%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Sinfonia

Samuel Ricke

1:28	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	20	6	5	96%
	19	0	5	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	20	6	5	96%
	19	0	5	6	100%
Continuo.	16	0	4	5	100%
Viola I.	11	0	2	4	100%
Viola II.	14	0	4	5	100%
Violino I.	16	0	4	7	100%
Violino II.	12	0	3	5	100%
Violone.	16	0	4	5	100%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%